How do artists live?
![](https://quaderni.online/wp-content/uploads/2022/05/Nastro_trimmed-1024x644.jpg)
The other face of the system, between opting for freedom and economic hardships
The Economy Sustaining Contemporary Art
![](https://quaderni.online/wp-content/uploads/2022/05/Guerisoli_slider-1024x765.jpg)
Necessities and Prospects for the Art System’s Commitments
Betrayal or Tradition
![](https://quaderni.online/wp-content/uploads/2022/05/DiPietrantonio-Francolini_slider-1024x724.jpg)
Christian Symbolism in Contemporary Italian Art
Digital or Post-digital
![](https://quaderni.online/wp-content/uploads/2022/05/Catricala_slider-1024x768.jpg)
Art in the Age of COVID
Designing Wildness
![](https://quaderni.online/wp-content/uploads/2022/04/Venturi-orizzontale-1024x767.jpg)
A Reflection on Deep Swamp by Tega Brain Riccardo Venturi Deep Swamp (2018-2021) is the title of a work by the Australian artist Tega Brain, recently shown at the exhibition Ti con Zero, one of the Tre stazioni per Arte-Scienza curated by Paola Bonani, Francesca Rachele Oppedisano and Laura Perrone at Rome’s Palazzo delle Esposizioni. […]
The Wunderkammer of the Living
![](https://quaderni.online/wp-content/uploads/2022/04/ChiaraBettazzi_2-1024x767.jpg)
These Strange Objects of Philosophy
The Third Homeland Mirror-conversation with Francis Offman
![](https://quaderni.online/wp-content/uploads/2022/04/Scego_slider-1024x767.jpg)
Igiaba Scego We are two artists. I, Igiaba Scego, write literary texts of different forms and origins. Francis Offman is a visual artist who uses salvaged or donated materials for his works. We both carry two countries on our shoulders, two continents. We are Europe, but we are, although in a different way, Africa. Francis […]
Lateral Incursions
![](https://quaderni.online/wp-content/uploads/2022/04/Moya-Garcia-_72-1024x718.jpg)
An open dialogue between visual and performing arts
Real Landscapes
![](https://quaderni.online/wp-content/uploads/2022/04/Lorenzo_Madaro_Slider-1024x799.jpg)
Notes for the definition of a portrait of Italy, based on the work of some artists with a social-realist style
The return of the repressed: Carla Lonzi in the present
![](https://quaderni.online/wp-content/uploads/2022/03/a_Perna-1024x768.jpg)
Raffaella Perna More than twenty years have passed since Emanuela De Cecco, in the introduction to her book Contemporanee, co-written with Gianni Romano, highlighted the lack of attention that Italian art critics had paid to post-war women’s art. At that time, the author identified a “double absence”[1], that of women artists from exhibition catalogues and […]